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Rien ne dure pour toujours - Les Contes de la Cité Pùle - Chapitre 1 : Deux Soeurs (Partie 1)
{ Index chapitre }
à deux c'est bien, mais ça serait mieux à plus.
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La vie dans les rues de la CitĂ© PĂąle ne fait pas de cadeaux. Les dangers guettent Ă chaque coin de rue et les allĂ©es sombre, et ce, mĂȘme si elles ont lâair dĂ©sertes par moment. DâoĂč lâimportance de rester alerte en tout temps, mĂȘme quand on se croit en sĂ©curitĂ©. Il nây a que trĂšs peu de place pour lâapprentissage. Pas de «âon verra bienâ» , ou de «âon fera mieux la prochaine foisâ». Une erreur dâapprĂ©ciation, une distraction ou une simple erreur de dĂ©butant, et ça sera peut-ĂȘtre la derniĂšre.
Si trouver un endroit relativement sĂ»r pour se reposer est dĂ©jĂ bien, trouver Ă manger est le summum. Le plus important, câest de garder les yeux ouverts pour la moindre opportunitĂ©. Et pas de place pour les bouches fine ou dĂ©daigneuse. On mange ce quâon trouve⊠si on trouve. Mais trouver de la nourriture nâest pas une tĂąche des plus facile. Bien souvent, la nourriture qui traĂźne ici et lĂ , est pourrie depuis longtemps, et ça serait prendre le risque de tomber malade, ce qui pourrait ĂȘtre pire que d'avoir faim.
Cela fait depuis quelques jours que Fetta et Olivie ne trouvent que quelques miettes, dans les poubellesâ; des restes de nourriture au fond de sacs en papier, des fonds de cannettes et autres traĂźneries. Ce qui est bien quand on vie dans un monde de gĂ©ant, câest quâil ne faut pas grand-chose de leurs restes pour ne serait-ce que calmer la faim. Malheureusement, le peu quâelles ont trouvĂ© reste insuffisant, mĂȘme pour une seule dâentre elles. Et aujourdâhui, les poubelles ne sont guĂšre plus gĂ©nĂ©reuses que dâhabitude. Quelques bouchĂ©es dâun reste quelconque et godet de sauce rouge sucrĂ©e. DĂ©licieux, mais trop peu.
La faim commence Ă se faire pesante et se dĂ©placer devient une Ă©preuve de plus en plus dure. Si elles ne trouvent pas bientĂŽt de quoi se remplir le ventre, elles vont devoir aller se risquer dans des endroits plus dangereuxâ; des cuisines, des restaurants, des bars, oĂč câest-elles qui pourraient devenir le repas si elles se font prendre. Mais si elles tardent trop, elle et sa petite sĆur nâauront plus la force pour une telle expĂ©dition. Si elles pouvaient Ă©viterâŠ
«âFetta, regarde lĂ -basâ! » indiqua Olivie. Une fille, aux cheveux roux et courts, dirigea son attention vers sa petite sĆur. La plus petite fille Ă la robe vert pĂąle, dĂ©signa des oiseaux blancs au loin. «âIls ont lâair agitĂ©s, tu trouves pasâ? » fait-elle remarquer. Pour ĂȘtre agitĂ©s, ils sont agitĂ©sâ; tourbillonnant dans le ciel en poussant leurs cris si caractĂ©ristiques, des goĂ©lands commencent Ă se rassembler non loin de lĂ oĂč elles se trouvent. Ce qui ne veut dire quâune chose : de la nourriture. Beaucoup de nourriture Ă©tant donnĂ© leur nombre grandissant et leur excitation. Parfait.
«âOn ferait bien de se dĂ©pĂȘcher avant quâils aient tout mangĂ©,â» dĂ©clare Fetta en souriant, ouvrant la marche en direction du festin. Tous deux trottinĂšrent pour atteindre au plus vite leur destination. Câest juste derriĂšre un bĂątiment, Ă quelques rues dâici. Elles se demandent bien ce que ces oiseaux ont pu trouverâ; il nây a pas de restaurant dans les environs. Et mĂȘme sâil y en avait, il nây aurait pas autant dâoiseau sans raison.
Elles ne tardent pas Ă rejoindre les oiseaux criards et leur festin. Et quel festinâ! Les deux filles comprennent mieux la raison de toute cette agitation : une camionnette de livraison de nourriture avait rĂ©pandu une partie considĂ©rable de sa livraison dans la rue. Son conducteur essaye tant bien que mal de chasser les goĂ©lands gourmands de piquer de la nourriture, mais avec son Ăąge, lâhomme peine Ă faire face Ă lâassaut des volatiles.
Avec les oiseaux qui tiennent le livreur occupĂ©, câest le moment de foncer, mais quoi prendreâ? Fetta rĂ©flĂ©chit Ă un plan. La fille aux cheveux roux regarde les options qui sâoffrent Ă ellesâ; elles doivent choisir sagement, car elles nâauront quâune seule chance. Une cannette serait le choix idĂ©al, les oiseaux ne sây intĂ©ressent pas, donc aucune chance quâils essayent de leur arracher des mains, ils prĂ©fĂšrent se concentrĂ© sur la nourriture rĂ©pandue au sol.
AprĂšs avoir rĂ©flĂ©chi, Fetta fait part de son plan Ă sa petite sĆur. Elle est la plus grande et la plus forte, donc câest elle qui va se charger de prendre le butin, et Olivie va pouvoir couvrir ses arriĂšres et garder un Ćil sur lâhomme et autres dangers sans trop attirer lâattention avec sa petite taille. Le plan dĂ©cidĂ©, il ne reste plus quâĂ attendre une ouverture. Elles observent avec attention le vieux livreur, qui remet tant bien que mal la nourriture dans une des cagettes, en repoussant les oiseaux voraces. Quelques goĂ©lands trop avides se prirent des coups de cannettes ou de bouteilles brisĂ©es et se retrouvĂšrent sonnĂ©s, ou gravement blessĂ©s pour les plus mal chanceux. Olivie grimaça et frissonna Ă la vue des oiseaux gisants agonisant au sol, dans leur sang. Fetta posa une main rassurante sur son Ă©paule.
Une foi la cagette remplie, il se relĂšve et par vers sa camionnette, pourchassĂ©e par quelques goĂ©lands qui nâont pas apprĂ©ciĂ© de se faire reprendre le festin. Il ferait presque de la peine Ă voir. Presque.
«âOn y vaâ!â» signale Fetta en sâĂ©lançant. Olivie lui emboĂźte le pas, et garde un Ćil sur lâhomme qui est presque rendu Ă sa camionnette. Fetta se dirige vers une cagette de cannettes renversĂ©es, et cherche celles qui lui semblent les plus prometteuses et pas trop dures Ă transporter. Celles avec des pois, maĂŻs et autres sont bien, mais bien trop grosses, trop lourdes pour ĂȘtre transportĂ©es rapidement. Il en faut une plus petite, bien plus petite.
Olivie surveille le vieux livreur qui est parvenu Ă son camion. Elle garde Ă©galement un Ćil si d'autres visiteurs arrivent, attirĂ© par l'activitĂ©. Personne d'autre pour l'instant. Pour ce qui est des oiseaux,âils ne semblent pas sâintĂ©resser Ă elles, trop occupĂ©s Ă se chamailler et Ă sâarracher de la nourriture du bec, malgrĂ© son abondance. Olivie Ă©vite de regarder les oiseaux ensanglantĂ©s, Ă la place, elle redirige son attention sur le livreur, qui a fini de ranger la caisse Ă lâabri et fait demi-tour, revenant en direction des deux filles de cette foi. Oh, nonâ!
«âFetta, il vient par iciâ!â» Lui signale Olivie pressante. Elles nâont plus beaucoup de temps.
AlertĂ© par le cri des goĂ©lands qui redouble dâintensitĂ©, le livreur regarde derriĂšre lui et rĂ©alise que les oiseaux sont maintenant en train dâĂ©ventrer des sacs et rĂ©pand leurs contenus au sol. Il recentre son attention sur les deux filles et les voit sur le point de disparaĂźtre derriĂšre un virage au fond de la rue. «âPestesâ!â» Fustige-t-il. Avant de retourner sâoccuper de sa cargaison, il saisit une bouteille parmi les dĂ©chets et la lance vaguement en direction de Fetta et Olivie, conscient quâil ne les atteindra probablement pas, maintenant hors dâatteinte. Plus remontĂ© que jamais, il retourne vers sa cargaison renversĂ©e, prĂȘt Ă en dĂ©battre avec ces oiseaux voraces.
En revenant ramasser davantage de sa cargaison, le vieux livreur les repĂšre rapidement , et en les voyant partir avec une conserve , il devient encore plus furieux
«âHey, rendez çaâ! Revenez iciâ! » Fustigea-t-il en se lançant Ă leur poursuite.
DĂ©jĂ Ă mi-chemin, les deux filles continuĂšrent leur course et ne tardĂšrent pas Ă atteindre lâallĂ©e encombrĂ©e, lâadulte sur les talons. Olivie, moins chargĂ© pris les devants, ouvrant la route pour sa sĆur. Elle vit un petit espace derriĂšre une benne oĂč elles pourraient se glisser.
«âPar lĂ â! » Sâexclame-t-elle. Fetta la suivit sans hĂ©siter et toutes deux se faufilent derriĂšre la benne. Le livreur quant Ă lui peine Ă enjamber les sacs poubelles et cartons tapissant lâallĂ©e, trĂ©buchant Ă plusieurs reprises. Les deux filles continuĂšrent Ă le distancer , sans regarder derriĂšre elles.
AlertĂ© par le cri des goĂ©lands qui redouble dâintensitĂ©, le livreur regarde derriĂšre lui et rĂ©alise que les oiseaux sont maintenant en train dâĂ©ventrer des sacs et rĂ©pand leurs contenus au sol. Il recentre son attention sur les deux filles et les voit sur le point de disparaĂźtre derriĂšre un virage au fond de la rue. «âEt merdeâ!â» RĂ©alise-t-il. Avant de retourner sâoccuper de sa cargaison, il saisit une bouteille parmi les dĂ©chets et la lance vaguement en direction de Fetta et Olivie, conscient quâil ne les atteindra probablement pas, maintenant hors dâatteinte. Plus remontĂ© que jamais, il retourne vers sa cargaison renversĂ©e, prĂȘt Ă en dĂ©battre avec ces oiseaux voraces.
***
Bien en hauteur sur le toit dâun bĂątiment, les deux filles se prĂ©parent Ă dĂ©guster leur butin bien mĂ©ritĂ©. MalgrĂ© lâenvie dĂ©vorante dâengloutir le contenu de la cannette durement acquise, elles ont pris soin de bien sâĂ©loignerâ; les oiseaux attirĂ©s par le buffet Ă volontĂ© auraient tĂŽt fait de s'emparer de leur prĂ©cieux repas. La derniĂšre fois quâelles avaient mis la main sur un butin semblable, les oiseaux noirs ont vite eu fait de leur dĂ©rober, et presque Olivie avec. Elles se sont jurĂ© de ne pas sây faire reprendre.
Maintenant Ă lâabri de tout volatil gourmand, les deux filles sâempressent de dĂ©guster leur repas, et quel repasâ! Fetta a vraiment eu lâĆil pour cette fois : une sorte de poisson rayĂ© dans de la sauce rouge, de petites rondelles noires et vertes. DĂ©licieuxâ! Elles lĂšchent jusquâĂ la derniĂšre miette et goutte. Cela fait longtemps quâelles nâont pas mangĂ© ainsi.
Olivie regarde la cannette vide et soupira. , tournant la tĂȘte, lĂ oĂč le festin avait lieu. LâactivitĂ© sâest calmĂ©e, mais de lĂ oĂč elles sont, elles entendent encore quelques goĂ©lands se disputer avec les corbeaux qui se sont joint au festin.
Fetta remarque le comportement de sa sĆur. Elle a sĂ»rement encore faim, pense-t-elle, elle aussi dâailleurs. Mais elle sait que ce nâest pas le problĂšme
«âOlivieâ?â» Demanda-t-elle inquiĂšte sa sĆur.
«âDĂ©solĂ©âŠ,â» marmonna Olivie. La fille aux cheveux roux pencha la tĂȘte, interrogative. «âJâaurais dĂ» prendre quelque chose aussiâŠ,â» se lamenta Olivie.
Fetta baissa les yeux, regardant le fond de la cannette. Câest vrai que ça a un goĂ»t de trop peu. Peut-ĂȘtre que si elles nâavaient pas fui avant mĂȘme dâavoir Ă©tĂ© repĂ©rĂ©es, elles auraient eu le temps de trouver une cannette ou quelque chose de transportable en vitesse pour Olivie. Mais ça aurait Ă©tĂ© prendre un risque considĂ©rable. InconsidĂ©rable. Un tient vaut mieux que deux tu lâauras.
«âAllons Olivie, on nâavait pas le temps,â» conforta-t-elle en sâapprochant. «âEt puis ça fait une Ă©ternitĂ© quâon a pas mangĂ© un truc aussi bon, et câest grĂące Ă toi,â» ajoute-t-elle. Olivie releva la tĂȘte pour regarder sa sĆur lâair penaude , «âmais câest toi qui as trouvĂ© la cannetteâ» objecta-t-elle. Fetta lui sourit «âet câest toi qui les as vus ces oiseaux. » Fit-elle remarquer, posant sa main sur lâĂ©paule de sa sĆur. Olivie sourit, rĂ©confortĂ©e par les mots de sa grande sĆur.
«âAllez, installons-nous pour dormirâ» DĂ©clara Fetta. Elles sont fatiguĂ©es avec toute la route quâelles ont faite.
Il fait encore jour, ou plutĂŽt, il fait encore plus clair que sombre. Avec lâĂ©pais couvert nuageux, la ville est plongĂ©e dans la peine dâombre, mĂȘme en plein milieu de la journĂ©e. Câest lâintensitĂ© de la noirceur qui permet de savoir sâil fait nuit ou jour.
Les deux filles amĂ©nagĂšrent quelques cartons et papiers journaux, ça sera mieux que le bĂ©ton froid et sale, et la boĂźte de carton empĂȘchera le froid de leur tombĂ© déçu. Leur abri terminĂ©, les deux files sâallongĂšrent dans leur abri de fortune, et prirent un moment pour souffler. Ăa fait du bien de se poser enfin. Au loin, les goĂ©lands et les corbeaux se font toujours entendre. Fetta repense Ă tout Ă lâheure. Elle aurait espĂ©rĂ© voir dâautres enfants, ne serait-ce juste un, aussi attirer par lâagitation. Auraient-elles dĂ» attendre avant de se lancer, ou rester dans les parages aprĂšsâ? Elle fixe lâair perdu sous le plafond de leur abri, pensive. Si elles pouvaient rejoindre un groupe, ça faciliterait beaucoup les choses. Surtout les pĂ©riodes de repos. Avant, elles pouvaient dormir en mĂȘme temps, ensemble, se tenant chaud lâune lâautre. Mais il y a plusieurs semaines de cela, elles ont Ă©tĂ© contraintes de quitter leur maison, si on peut appeler ça ainsi.
«âEst-ce que je fais la premiĂšre gardeâ? Câest mon tour.â» Demande Olivie.
«âDâaccord, vas sây. » Accepta Fetta. Elle rĂ©flĂ©chira Ă un plan pour demain, aprĂšs sâĂȘtre reposĂ©e. Maintenant, elle a juste envie de dormir.
***
Olivie monte la garde sur les environs, pendant que sa plus grande sĆur dort dans leur abri de carton.
La noirceur commence Ă sâinstallerâ; quand elle a commencĂ©, il faisait encor assez clair. Elle commence Ă ĂȘtre vraiment fatiguĂ©e, elle ignore depuis combien de temps elle garde. Elle devrait bientĂŽt aller se reposer, mais elle nâa pas envie de rĂ©veiller sa sĆur, elle a lâair de si bien dormir. Pas Ă©tonnant avec la journĂ©e quâelles ont eue. Câest la routine, mais ce nâest jamais drĂŽle de devoir rĂ©veiller lâautre.
Aller, juste encore une ronde. Olivie se leva et fit un dernier tour dâhorizon. En plus de lâaider Ă rester Ă©veillĂ©e le plus longtemps possible, ça lui dĂ©gourdit les jambes.
Elle regarde au loin, Ă la recherche de tout potentiel danger. Des adultes vont et vienne par endroit. De la oĂč elles sont, elles ne risquent pas grand-chose des adultes, mais, il nây a pas que les adultes qui reprĂ©sente un danger. Bien quâils aient une prĂ©fĂ©rence pour les cadavres , ici et lĂ , les rats, les corbeaux, sont aussi des menaces que chaque enfant doit garder en tĂȘte. Elle sait de quoi elle parle. Mais lĂ aussi, rien nâa signalĂ© pour lâinstant, certainement plus intĂ©ressĂ© par le festin de tout Ă lâheure.
Pendant quâelle se rendait au bord de lâautre cĂŽtĂ© du toit, Olivie commença Ă se surprendre Ă piquer du nezâ; il est temps dâaller rĂ©veiller sa sĆur pour quâelle prenne le relai. Elle nâa pas envie, mais, si elle sâendort, il nây aura personne pour surveiller. Si seulement il y avait quelquâun dâautre.
Elle se dirigea vers lâabri, et avec prĂ©caution, rĂ©veilla Fetta.
«âHey⊠FettaâŠâ» essaie-t-elle doucement en frottant les cheveux roux de sa sĆur. Elle se rĂ©veille un peu pĂ©niblement, gĂ©missante. Elle Ă©tait partie plus loin que dâhabitude. «âDĂ©solĂ©âŠâ» sâexcusa telle. Sa sĆur lui sourit tendrement. «âshuutâŠ. ». Elle nâa pas Ă ĂȘtre dĂ©solĂ©e, câest la routine.
«âJâarriveâŠâ» marmonna Fetta. Olivie hocha la tĂȘte et alla attendre sa sĆur un peu plus loin. Fetta se leva et sâĂ©tira. Elle Ă©poussette son corsaire marron et alla se rafraĂźchir Ă une marre dâeau pour se donner un petit coup de fouet avant de prendre son tour de veiller, et puis vas rejoindre Olivie. «âAlorsâ?â» Demande Fetta.
«âRien.â» Annonce Olivie. Rien de particulier Ă signaler. Pas dâadulte qui rĂŽde anormalement autour du bĂątiment, pas dâagitation particuliĂšre des oiseaux. Tout est bien tranquille, en apparence.
Fetta remarque que sa sĆur observe des adultes qui vaquent Ă leurs occupations au loin et voit bien que quelque chose lui trotte dans la tĂȘte.
«âPourquoi on a dĂ» partirâ?â» Marmonna Olivie.
Fetta comprend bien ce quâelle veut dire. Olivie sait trĂšs bien pourquoi elles ont dĂ» partir. Ce quâelle ne comprend pas par contre, câest pourquoi lâhomme des lieux, qui semblait au moins se contenter de les ignorer , est soudainement devenu agressif envers elles du jour au lendemain.
Manifestement, tĂŽt ou tard, aucun adulte ne semble au moins se contenter dâignorer les enfants comme elles. Et mĂȘme ĂȘtre chassĂ©e en douceur semble ĂȘtre trop demandĂ©.
***
Environ trois semaines plutĂŽt
Comme tous les matins, elles profitaient des restes du dĂ©jeuner de lâadulte. Elles et sa sĆur pouvaient, sans trop de problĂšmes, prendre de la nourriture, mĂȘme devant lâhomme des lieux. Du moment quâelles ne touchaient pas Ă son assiette, ça pouvait aller.
Mais un matin, alors quâelles grignotaient les restes dâun gros biscuit fourrĂ© laissĂ© sur le comptoir, quelque chose Ă changer. Olivie vue du coin de lâĆil, lâhomme sâapprocher lentement dâelles, un torchon Ă la main. Rien dâinhabituel, il arrivait quâil les regarde, sans rien faire, avant de retourner Ă son occupation du moment. Mais cette foi-ci⊠Olivie ne sait pas pourquoi, mais elle a senti quâil y avait quelque chose de diffĂ©rent, quelque chose de mauvais. Peut-ĂȘtre dans la façon dont il les regardait, ou plutĂŽt les fixait, elle et Fetta. Ă ce moment-lĂ , une petite voix Ă lâintĂ©rieur dâelle lui a criĂ© COURâ!
Sans rĂ©flĂ©chir, elle bondit et tira sa sĆur par le bras, Ă©vitant de justesse un cinglant coup de torchon. Ni une ni deux, elles sautĂšrent de la table. Ă peine elles eurent le temps dâatterrir, que lâhomme se rua sur elles. Elles couraient aussi vite que possible vers la salle de bain, direction la ventilation. Elles ne regardĂšrent pas derriĂšre eux, le simple bruit des pas lourd et le grondement de mĂ©contentement Ă©taient suffisant pour leur donner une idĂ©e d'Ă quel point il Ă©tait proche.
Une foi dans la salle de bain, toutes deux faillirent de glisser sur le carrelage mouiller, mais parvinrent Ă garder pied. Olivie et Fetta se prĂ©cipitĂšrent dans la ventilation, hors dâatteinte de la furie soudaine de lâhomme. Au mĂȘme moment oĂč elles disparaissaient dans le conduit, les grognements furent brutalement interrompus par un choc sourd. Le silence prit aussitĂŽt la place.
Toutes deux haletant par la course soudaine, elles restĂšrent un court instant, Ă Ă©couter le silence, seulement perturber par le ronronnement des conduits.
«âQuâest-ce qui est arrivĂ©â?â» demanda toute Ă©branlĂ©e Olivie. Fetta se redressa «âReste lĂ , je vais aller voirâ» indiquĂąt-elle.
Lentement, la plus grande sâapproche de la bouche de ventilation, prĂȘte Ă faire demi-tour au moindre signe de danger. Elle tendit lâoreilleâ; rien. Fetta Ă©mergea de la ventilation etâŠ
Elle Ă©touffa un cri devant la scĂšne quâelle dĂ©couvre : lâhomme est effondrĂ© au sol, inerte. Du sang coulant de sa tĂȘte se mĂ©lange Ă lâeau sur le sol.
Fetta sâapproche, avec prudence et apprĂ©hension. Câest Ă©trange de sâapprocher dâaussi procheâ; les adultes sont tellement Ă©normes, et encore plus dâaussi prĂȘts. Elle vit le sang sur le coin de lâĂ©vierâ; pas de doute sur ce qui sâest passĂ©.
Alors⊠il est mortâ? Elle ne sait pas pourquoi, mais elle a poussĂ© lâĂ©paule de lâhomme inerte. Rien. Quâest-ce quâelles devraient faire alorsâ? Il est vraiment mort ouâŠ
Lâhomme tressaille soudainement, poussant un gĂ©missement grincheux. Nonâ! Il nâest pas mortâ! Sans demander son reste, Fetta retourna dans la ventilation. Elle jeta un dernier coup dâĆil, lâhomme continuait Ă gĂ©mir, se retournĂąt pĂ©niblement parterre, se tenant la tĂȘte en sang. Bien fait pour luiâ! Ăa lui apprendra de sâen prendre Ă elle et sa sĆurâ!
Maintenant⊠elles vont devoir partir. Fetta rejoignit sa sĆur.
«âA⊠Alorsâ?â» Demanda Olivie inquiĂšte en entend les bruits au loin. «âFettaâ!... Tes piedsâ!â» Elle sursaute en voyant les pas ensanglantĂ©s de sa sĆur. Bonne chose quâOlivie ne soit pas venue avec elle, elle a horreur de voir le sang des autres.
«âCe nâest pas le mien.â» Rassura-t-elle rapidement. «âMais il faut y aller, je tâexpliquerai plus tard.â» Dit-elle en entraĂźnant sa sĆur dans les conduits. Ce nâest pas le temps pour les explications, mĂȘme sâil nây a pas grand-chose Ă expliquer : elles ne sont plus la «âbienvenueâ».
***
Fetta sâassit prĂšs de la boĂźte en carton, prenant une pause. Elle observe sa petite sĆur endormie dans le carton, qui est parvenue Ă sâendormir assez rapidement. Elle aussi Ă©tait vraiment fatiguĂ©e. Elle dort sous la grande feuille de papier journal, pour se protĂ©ger davantage du froid de la nuit.
Ăa lui manque de pouvoir dormir et se tenir chaud Ă deux, sans trop se soucier du danger. Elle sentit des larmes montĂ©es, quâelle fut tentĂ©e de laisser passer.
Elles doivent vraiment trouver dâautres enfants, mĂȘme juste un. Elles ne tiendront pas longtemps. Olivie fait tout ce quâelle peut pour aider, elle est mĂȘme trĂšs bonne. AprĂšs tout, sans elle, elles nâauraient peut-ĂȘtre pas mangĂ© comme ce soir. Et plus important, elles ne seraient plus de ce monde.
Ăa nâest pas son premier coup. Fetta ne sait pas comment se lâexpliquer, mais Olivie a comme un sixiĂšme sens pour dĂ©duire si un adulte ou un monstre est une menace considĂ©rable ou pas. Sa petite sĆur non plus dâailleurs. Lâattitudeâ? La postureâ? La dĂ©marcheâ? Elle le sent, câest tout ce quâelle est capable de dire. Peu importe, câest trĂšs bien ainsi.
Mais malgrĂ© toute sa bonne volontĂ©, Olivie est simplement trop petite par moment. Ăa a ses avantages, mais parfois, ça les met dans des situations⊠dĂ©licates. Fetta ne lui en veut pas, câest comme ça, et personne nây peut rien. Mais elle sait plus que quiconque que sa petite sĆur sâen veut de ne pas pouvoir toujours aider comme elle le voudrait. Plus que de raison.
DĂšs demains, elles se mettront sĂ©rieusement Ă la recherche dâautre enfant. Et elle pense avoir une bonne idĂ©e par oĂč commencer.
   - - <O> - -
Note :
Alors que penser vous de ce premier chapitre? Est-ce nos deux filles trouveront de nouveaux amis pour survivre dans cette ville? Une chose est sûre, ils feront des rencontres mémorables.
{ Index chapitre }
#little nightmares#little nightmares fanfic#nothing lasts forever#rien ne dure pour toujours#fanfic#little nightmare fanart#3drender#les contes de la cite pale#chapiter 1
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[1]
Chapiter 182 - A Night For Vows
In which BATTLE HUSBANDS.Â
Listen I donât even care what else is happening we have the return of Battle Husbands. Iâm happy. Â
Itâs giving the same vibe as the opening for Chapiter 17, but upgraded! Theyâre in battle, but now theyâre facing the same way because theyâre on the same page, plotwise, emotionwise, and directionwise. Theyâre not fighting different battles or aiming for different goals anymore - theyâre united on the same path. And theyâre no longer disguising their feelings through joviality or putting on a front. Now theyâre both serious.Â
In another contrast, the chapiter 17 cover had them in opposite colours, which is relatively common for them, but this new cover actually unites them visually. Theyâre wearing the clothing in a way that matches their personality, but the colours are vastly the same - white all over with the emblematic flames, a slash of black across their middle, as well as across their wrists. The only actual point of difference is in their faces - where Kurogane has black hair with a white band, and Fai has the opposite, but even THAT is brought in line with the other through other elements - ie, The symbol on Kuroganeâs white band is an exact match for the one at Faiâs waist, and theyâre visually RIGHT next to each other, so you canât miss it! Kurogane also has a long looping cord across this waist, in white, while Fai has a black cord tying his hair back, with the same kind of tassels.Â
Also! In the Chapitre 17 cover their weapons were crossed in an X (a visual clash) while here they theyâre angled to be held in the same direction. This brings the visual focus towards them both, together, in the middle of the page, with their differing styles now united in the same goal. OH, and the physicality of their weapons? Before they held the weapons BETWEEN them. The X of the weapons actually kept Kurogane and Fai physically apart (as if they were on opposite sides of a conflict), but now the weapons are on the OUTSIDE, bringing Kurogane and Fai RIGHT in close to each other, with the weapons on the outside. So now even physically they're together, closer to each other than anything else, and on the same side of any conflict around them.
So they're aligned now, both symbolically and physically, and it's with intention from the characters themselves. Theyâre worked for this, and theyâre choosing it deliberately, and they DESERVE it.Â
Also like, a FLAME SCYTHE? GO OFF Fai that is INCREDIBLE.
And OOPS I totally forgot that the cover will have splash text as well. What does it say.
The translation I have is something along the lines of:
âMeasuring and delimiting one another
Even so, those days come to pass.Â
Tonight, the men shall
Link those swords.â
Which is potentially the most homoerotic way they could have phrased that and I strongly approve.
#I am a simple gay#Linking swords? Say no more!#I mean listen#Listen what else would they be doing#Liveblogging the reservoir chronicle#Tsubasa#Vol 182#Kurogane#Fai#Kurofai#You could probably make something of the fact that fire is Syaoranâs element#And now both his dadâs are wearing it#Now that heâs alive and back at it again at krispy kreme#Oh I also like that this is a cover that uses chains#But Fai is in CONTROL of the chains now#Wielding them loosely and however he pleases#Instead of being chained up himself#You know what that is? Growth.
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Tian Jianxin, Breathing Chapiter, 2021 brick column, 24 x 18 x 17 cm, 9 1/2 x 7 x 6 1/2 in.
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Sure, it's midnight but that will not stop me to finall get into ggz, I don't mind just reading and not playing
Damm i am getting nostalgic because when i was in muddle school i was reading at night mangas lol but not when i was in high school, i stopped my bad habit because of the baccalaureate (do we say that in englidh? I have no idea)
Anyways plus now I almost finish part 1 of Honkai Impact [i am lying, i mean kinda...let me explain, i am at chapiter 30 i think..? Anyways i am at the chapiter with elysia realm and i know that i have minimum 6 more hours to do untill chapiter 34 (??)].
I don't think I will start the story of part 2 of honkai impact because i want to continue playing reverse 1999 and i am very late and i will need to search the limited event stories on YouTube!
#Actually i am happy that i have the time to do all this because i am on vacation for just some days and then the 1st i will work....#God dammit capitalism!#Fuck you!!AAAAHHHHH#I need sleep#Does it shows that i have ADHD ?#genuine question#Anyways#ggz#gungirlsz
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The Pillars of Solomon
When God includes details in the Bible, there is usually a message behind the details.
1 Kings 7:15-21
For he cast two pillars of brass, of eighteen cubits high (about 26.5 feet- the size of a fifth wheel trailer)a piece: and a line of twelve cubits (about 18 feet- a garage door for a 2 car garage) did compass either of them about. And he made two chapiters (ornamental head of a pillar) of molten brass, to set upon the tops of the pillars: the height of the one chapiter was five cubits (7 feet), and the height of the other chapiter was five cubits (7 feet): And nets of checker work (looked like branches), and wreaths of chain work (braided chains), for the chapiters which were upon the top of the pillars; seven for the one chapiter, and seven for the other chapiter, to cover the chapiters that were upon the top, with pomegranates and so did he for the other chapiter.  And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits. And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof Jachin: and he set up the left pillar, and called the name thereof Boaz.
Why name the pillars? first let's see what the names mean. Jachin (pronounced yaw-keen) means âhe will establish,â and Boaz signifies âin him is strength.â Thus the pillars were declaring that God in his strength would establish not only the temple but Israel with his strength. There are multiple references to 7 which symbolizes completion. Under Solomon the temple was completed in all it's glory. Solomon's reign was the pinacle of the Israeli kingdom.
pomegranates- (symbolizing God's righteousness- pomegranates hung on the bottom of the priests robes and jingled when they moved. If the jingling stopped, they could be dead. Consequences of God's judgement)
Lilly- (symbol of God's goodness and beauty. These were on the top of the pillars. God's judgement and righteousness are reflections of God's goodness and beauty.)
Brass- (Brass is traditionally known as being symbolic of God's righteousness and judgement.)
The pillars in front of the temple were large and made of brass. They probably gleemed in the sun and could be seen miles away calling all to go to the temple to worship the Lord and pray. Imagine as you walked toward Jerusalem, you could see the pillars shining in the sun reminding you that God was righteous and that sin would bring severe judgement from God. This was a warning to Jerusalem and Israel which the people ignored including Solomon who was led astray by his foreign wives and served many gods.
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THE BIBLE THE BOOK OF GOD
Exodus
Chapter 38
1Â And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof. 2Â And he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass. 3Â And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass. 4Â And he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it. 5Â And he cast four rings for the four ends of the grate of brass, to be places for the staves. 6Â And he made the staves of shittim wood, and overlaid them with brass. 7Â And he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards. 8Â And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation. 9Â And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits: 10Â Their pillars were twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets were of silver.
11Â And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver. 12Â And for the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets of silver. 13Â And for the east side eastward fifty cubits. 14Â The hangings of the one side of the gate were fifteen cubits; their pillars three, and their sockets three. 15Â And for the other side of the court gate, on this hand and that hand, were hangings of fifteen cubits; their pillars three, and their sockets three. 16Â All the hangings of the court round about were of fine twined linen. 17Â And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver. 18Â And the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court. 19Â And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver. 20Â And all the pins of the tabernacle, and of the court round about, were of brass.
21 This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest. 22 And Bezaleel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses. 23 And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen. 24 All the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary. 25 And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary: 26 A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men. 27 And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket. 28 And of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them. 29 And the brass of the offering was seventy talents, and two thousand and four hundred shekels. 30 And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar, 31 And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.
Exodus 38
Diane Beauford
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Exodus
Chapter 38
1Â And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof. 2Â And he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass. 3Â And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass. 4Â And he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it. 5Â And he cast four rings for the four ends of the grate of brass, to be places for the staves. 6Â And he made the staves of shittim wood, and overlaid them with brass. 7Â And he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards. 8Â And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation. 9Â And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits: 10Â Their pillars were twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets were of silver.
11Â And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver. 12Â And for the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets of silver. 13Â And for the east side eastward fifty cubits. 14Â The hangings of the one side of the gate were fifteen cubits; their pillars three, and their sockets three. 15Â And for the other side of the court gate, on this hand and that hand, were hangings of fifteen cubits; their pillars three, and their sockets three. 16Â All the hangings of the court round about were of fine twined linen. 17Â And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver. 18Â And the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court. 19Â And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver. 20Â And all the pins of the tabernacle, and of the court round about, were of brass.
21 This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest. 22 And Bezaleel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses. 23 And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen. 24 All the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary. 25 And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary: 26 A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men. 27 And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket. 28 And of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them. 29 And the brass of the offering was seventy talents, and two thousand and four hundred shekels. 30 And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar, 31 And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.
Exodus 38
Diane Beauford
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LESON DOMINIKAL POU DIMANCHE 15 OCTOBRE 2023
LESON DOMINIKAL POU DIMANCHE 15 OKTOB 2023.TIT: Rachte yo nan gran tribilasyon an LEKTI: Revelasyon 7:1-17 TĂKS DO: Yo pâap janm grangou, yo pâap janm swaf dio. Ni solĂšy la, ni okenn lĂČt gwo chalĂ© pâap kapab boule yo. Rev. 7:16 ENTWODIKSYON: Sen nou te wĂš nan Revelasyon chapit 4 rive chapit 6 se nan syĂšl la lapot Jan te wĂš yo youn aprĂš lot. PoutĂšt sa nou kwĂ© 3 chapit sa yo mache ansanm; se istwaâŠ
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I love them
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Little Kestrel (Part 48) [Birds of Different Feathers Series]
Fandom: Sanders Sides
Relationships: Logan & Patton & Virgil (future Virgil/Patton but not in this story)
Characters:
Main: Logan, Patton, Virgil
Appear: Thomas
Mentioned: Janus
Summary:
It was supposed to be a quick job either way. Either Virgil would assassinate King Thomas of Prijaznia or heâd be caught and get executed. Yet, when Virgil gets the wrong bedroom and gets caught by Prince Logan and his future royal advisor, Patton, the job ends up getting way more complicated for the 14-year-old. He also ends up sleeping in a (actually pretty comfortable) closet for a few weeksâŠ
Notes: Implied/referenced child abuse, assassination attempt, knives, torture mentioned, captivity, teenagers being really dumb, sexual coercion of minors implied, a minor offering sexual favors
This is a prequel to Kill Dear. I wrote it 100 words at a time on my blog, but this is the edited version. If you want to see how it was crafted (and possibly some future content), look at the tag proofread stories.
Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16 Part 17 Part 18 Part 19 Part 20 Part 21 Part 22 Part 23 Part 24 Part 25 Part 26 Part 27 Part 28 Part 29 Part 30 Part 31 Part 32 Part 33 Part 34 Part 35 Part 36 Part 37 Part 38 Part 39 Part 40 Part 41 Part 42 Part 43Â Part 44Â Part 45Â Part 46Â Part 47
Thomas was leaving his office when he ran into his son. Or more accurately, his son almost ran into him. âIs everything alright?â Thomas asked.
âIâŠâ Logan said. His hand came out to grasp Thomasâs shirt sleeve, odd behavior for him at least at this age. He used to do such things when he was very small. âYes,â he said anyway. âEverything is perfectly fine.â He glanced behind himself down the hall.
Thomas looked at him and then looked down the hallway, concerned by his strange behavior. âAre you sure?â he asked.
âYes,â Logan said, but he wasnât letting go of Thomasâs shirt.
âYou seem a bit anxious, Logan,â Thomas said.
âI am not,â Logan denied, releasing his shirt. Thomas caught a glimpse of something moving above their heads. The hallway Thomasâs office was in had large pillars along the outer wall that really no one should be able to scale despite there technically being grooves in them. Yet, there Virgil clung to the chapiter of one of them. Even more bewildering, he was gripping a pouch of some kind in his teeth.
They met eyes briefly. Virgil tilted his head at Thomas. Then, he removed one hand from the pillar. How was he up there? He made a motion with his hand that seemed to be telling Thomas to step back.
Thomas looked back at his son. Logan hadnât noticed Virgil, too busy glancing behind him and not looking up. Thomas looked back up at Virgil and took a big step back. The moment he did, Virgil grabbed the bottom of the pouch with his free hand and let go with his teeth. The pouch flipped upside down dropping its contents right onto Loganâs head.
Logan gave a high-pitched shriek that Thomas didnât think heâd ever heard from him before. âVirgil!â he yelled, now absolutely soaked.
âLearn to look up,â Virgil said seriously, still clinging to the pillar.
âI hate you,â Logan replied.
âDonât say things you donât mean in anger,â Thomas reminded. He was a bit worried Virgil may overreact to Logan saying things like that to him, though he seemed perfectly calm at the moment.
Logan scowled at Thomas. âYouâre on his side?! He just dumped water on my head!â
âHe needs to be trained to be more observant!â Virgil said.
Logan turned his scowl to Virgil. âCome down here, you intolerable creature! Iâm done with your so-called training!â
âAnd what would you do if I did come down?â Virgil asked while arching an eyebrow, wholly unconcerned. âQuote facts about animals at me?â
Thomas was unsure what about that comment angered Logan, but it apparently did.
âYou littleâŠâ
âBoys,â Thomas interrupted. âWhatâs going on here?â
They both immediately started speaking at once, doing their best to talk over each other. Thomas didnât catch much of either rants except something about âtrainingâ and Virgil âstalking the hallsâ and an âexploding muffin.â
âOkay, okay,â Thomas said, putting a hand up to tell both of them to be quiet. âOne at a time. Virgil first.â
âReally?â Logan asked.
âLogan,â Thomas scolded.
He mumbled something under his breath, but he did quiet down.
âVirgil,â Thomas started again. âWhatâs going on?â
âIâm training him,â Virgil said.
âTraining him?â Thomas asked. âTraining him for what?â
âFor life,â Virgil answered. âHe isnât observant enough.â
âAh,â Thomas said, still fairly confused. âAnd how are you training him?â
âRight now, weâre doing situational awareness training,â Virgil said.
âAnd how does that translate to you dumping water on his head?â Thomas asked.
âHe wouldnât have gotten water on his head if heâd noticed me,â Virgil answered, seriously. Thomas tried not to laugh at the look on his face.
âThat is, perhaps true,â Thomas said. âHowever, dumping water on peopleâs heads is not nice. Perhaps there is a nicer way to do this training?â
âPeople trying to kill them wonât be nice,â Virgil said.
âNo one is trying to kill Logan,â Thomas said.
Virgil just pursed his lips. âMaybe,â Virgil said. âNot yet.â
Thomas was unsure where this fear had come from. Perhaps he had heard about the successful assassination of Lamirâs late queen. Thomas hadnât exactly publicized the fact that the queen had been killed and not simply died when heâd returned, but he had told certain people including Logan and Patton. It was possible one of them had let it slip and Virgil had freaked out about it.
âWell,â Thomas said. âIt still isnât nice to ruin someoneâs day over a threat that doesnât exist yet.â
Virgil just huffed at him. He was being surprisingly petulant which actually made Thomas smile just a tad. Heâd not even been able to imagine this side of him a month ago. âWhy donât you come down here?â Thomas suggested. âWe can talk through the issue and come to a compromise.â
Virgil stared down at him with skeptical eyes.
âPerhaps with tea and cookies?â Thomas suggested.
Virgil tilted his head and slid down the pillar until his feet touched the floor. âWhat kind of cookies?â he asked.
âWeâll have to see what Helen has made lately,â Thomas said. He turned to Logan and frowned. âYou should probably change before you get sick being wet and in the cold.â
Logan nodded and shivered a little bit while rubbing his own arms. Despite the castle being warm, it was no fun to be completely soaked during the winter. Thomas wasnât even sure if Virgil would have thought to not use freezing cold water. Even with heating elements, the water in the castle could be very cold if you didnât wait for a bit for it to warm up. Thomas didnât think Virgil would have thought too far ahead in this âtraining.â
âIâll take Virgil down to the kitchen and get some tea and cookies for all of us,â Thomas told Logan.
He gave his son a look trying to communicate âIâll talk to him.â Logan pursed his lips, but nodded, seeming to receive the message.
âWhy donât we meet you in the royal dining room, so the conversation is more private?â Thomas suggested. It would be a much calmer environment than the main dining hall or the kitchens.
âSure,â Logan agreed, turning to walk off in the direction of the royal wing. The poor thing was huddled in on himself and cold.
Thomas looked over at Virgil and smiled at him softly as Logan left. âLetâs go see what cookies Helen has ready,â he suggested.
Want to read more? Click below!
Birds of Different Feathers Master Post
My Masterpost
#sanders sides#logan sanders#patton sanders#virgil sanders#character thomas sanders#adriana writes#little kestrel#birds of different feathers#implied/referenced child abuse#assassination attempt#past torture#captivity
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To lose yourself to find yourself
Chapiter 1 : Hope and betrayal
Finally
He did it...
She is finally free.
He managed to free her from her prison. After breaking that hypnotic music box, he finally managed to free her.
Mono and Six slowly rise to their feet. They stare at each other for a moment. He is unable to see her face under the hood of her yellow raincoat.
But before he has time to check on her, he realizes they are not alone. Out of nowhere, a... an eye? A gigantic eye! Looking down on them! Their confrontation must have attracted the attention of this thing (or was it watching in the shadows all along? Six doesn't waste any time and runs away and Mono quickly follows her lead. They must get out of this chaos as soon as possible. This... Thing, with so many many eyes, oozes everywhere, staring at them with greed and lust. The concrete walls are crumbling under the weight of this amorphous mass, taking advantage of every crack to slip through. The ground rises under their feet, cracking all over the place, forcing them to jump and climb like never before. For Mono, running without tripping is a feat in his condition. Every inch of his body aches, begging him to stop, already pushed far too long to continue beyond his limit. But he can't afford it, not now. He'll rest when they get out of this place. The thing is still on their tail. Six is ahead of him. His bright yellow raincoat contrasting against the dark surroundings of the tower allows him to focus on his goal, to think about anything but the horrors around them.
As he runs like never before, he... he has, for some reason, the impression he has already seen this creature. And this simple fact frightens him even more. When? And where? No! Later! Escape. Think later, escape now.
Suddenly, the ground broke open in front of him! Revealing a huge eye fixed, on him. He almost falls head first into this sea of hideous flesh, but stops just in time. The boy looks about him, seeing that the other side is out of reach, even by jumping. He calls out to his friend to help him out of there, but with all the noise and moaning caused by the thing, it's quite likely she didn't hear anything.
He desperately looks for another way out, another passage, but unfortunately, no option is presented to him. He hopes to see his friend appear. That she has heard his calls, that she has noticed that he was not following anymore. But, nothing in sight. Yet they always made sure they followed each other when they had to flee from other dangers. That's how they've survived this long. Maybe something happened to her. Maybe she is also stuck like him? Maybe... Maybe this thing has already caught her? The thought makes him shudder.
The mass of flesh looming over him gets closer and closer. He turns around and faces this mass of flesh and eyes, dominating it, slowing down for a moment, seeming to enjoy the moment. So this is where he is going to die? So close to the goal and after all those efforts? Again, as he faces this living nightmare, he has this strange feeling of déjà vu. Where? What difference would it make, it's over for him. The thing advances to engulf him, he prepares for the inevitable. At least, even if it wasn't enough, he knows he gave it all he could.
Then something happens: the platform he is standing on suddenly lifts up, pushed from underneath by the mass of flesh, closing the gaping crevice before him! Not wasting a moment, he seizes his luck. He takes his momentum and jumps with all his strength, and reaches the other side without too much trouble. Saved! He pulls himself up and resumes his race without waiting. The thing moos in frustration, enraged at having allowed its prey to escape so foolishly. As he runs, he looks for the yellow figure with his eyes, and... there! Nothing happened to it. Good. Let's continue! With this renewed hope, he redoubled his frantic race for survival.
 They are almost out. He can see the exit at the end of a long narrow walkway past this frame. Always on their heels, the mass tries to catch up with them. Six has already gone through the frame and onto the thin bridge, and Mono is almost there. Just as he has almost reached the frame, the grotesque mace increases in speed, more eager than ever to engulf its prey, and lunges at him in a last desperate attempt to submerge
BROOM!!
 ..!!!
...
 Everything is blurred. Where is he...
There was a powerful shock wave and
The thing smashed against the wall with all its weight, shaking the whole tower. The wall resists despite everything.
Stunned, Mono struggles to get up. He looks again for his only point of reference, it is always in front, but it does not seem to have noticed that he fell.
He tries to get up laboriously. He hears again awful growls of frustration behind him. He throws a fast glance last behind him. The enormous creature smashed against the wall with all its weight. The wall resisted in spite of everything.
The thing tries to pass by force in this frame, managing only to slip there a ''small'' part of its immense mass. He gathers his last strength and finally manages to get up and painfully resumes his race, who knows how long this wall will resist. He catches up with his friend as fast as he can, and quickly reaches half of the bridge, when...
BOMâ! .... BOMâ!
The mass throws itself against the wall, desperately trying to make it crack under its weight.
BOMâ! .... BOMâ!
The mass of flesh continues its desperate assaults against the wall that holds it captive. The thin ramp shakes and begins to crack. They must hurry. The exit is not far away. They can see the soft light emanating from the portal, the only exit that will take them far, far away from this hell.
BROMâ! BRO-CRACâ!
The wall which held the thing prisoner finally gives way under the repeated charges. The mass launches itself like an avalanche on the bridge, but this last one gives up immediately under the disproportionate weight of the creature. It tries to cling as well as possible to the narrow footbridge, but slips lamentably of this one, carried away by its own immense mass, and sinks at the bottom of the tower. Mono can hear a howl of rage between them. Good riddance! She can't reach them now. It's just a straight line now, they'll...
BOM!
He celebrated too soon: By reaching with force the bottom, the mass caused a trembling in all the tower. The already weakened walkway starts to crumble! No, not so close! Six begins to stagger between the cracks that form when suddenly, the footbridge gives way in front of her! She has no choice but to jump and hope to reach the other side. And... just barely, she crashes on the other side.
 She made it! Mono is relieved. But that joy is short-lived, he... he may not be able to make such a leap, not in his condition. Unless... Yes! He knew he could count on her! She is waiting for him on the other side, ready to catch him if he didn't jump far enough. Just like she always did. They will get out of this place. Together.
Mono gathers his last bit of strength, jumps with all his might, and, stretches his hands as far as possible.
And... ...
Saved! She catches him, by a short margin. He strikes with force the side of the bridge, triggering a stabbing pain in his bruised body, tearing him a whimper. But it is infinitely better than falling into this abyss under her feet. They managed to do it. She only has to pull him up.
"We... We made it Six," he managed to utter out of breath.
 Still suspended at the end of the arms of his friend, he waited for her to help him to pull himself up. The few seconds seem to last an eternity. She must be completely out of strength too, he thinks. She is going to pull him up any moment. He glances over his shoulder and, at the bottom of the tower, despite the depth, he sees this sea of glowing eyes and hideous flesh. With greedy eyes, this thing moans, and, now that he pays attention, the countless eyes stare at him, avidly: this thing wants him. Why does it want him? He doesn't even want to think about it, and he doesn't plan to stay to find out. What is she waiting for?! She has to pull him up! The platform could collapse at any moment! Hurry! He redirects his gaze to her, about to encourage her. But he finds himself unable to open his mouth at what he sees. Something is wrong. Why is she looking at him like that? In a voice choked with doubt, he tries to figure out what is going on.
"S-Six? What... what wrong?" He chokes.
He feels his blood run cold. Never has he seen a look like that. Her eyes... her face is marbled. No fear, no anger, no joy. Nothing. Why? Then a terrible thought comes into his mind and he becomes completely immobile. No... she is not going to... She is not going to...
Before he even has time to react, the hand that was holding him back from falling into that sea of shapeless flesh suddenly withdraws.
No...
Everything slows down.
In a state of stupefaction, he is unable to react.
No... this is not possible. Not after everything they've been through. Not after risking everything to find each other and get out, together, of this nightmarish tower. He tries to shout his friend's name, but nothing comes out, speechless, unable to make a single sound.
As he falls into this abyss, she looks at him falling. Falling to his death as if it was nothing.
Why? Did she do this?
Tears stream down her face.
Why?
He closes his eyes, and he feels his mind slip. At least he won't be here when...
But before he completely loses consciousness, the boy feels a warm, slimy mass slowly enveloping his body, finally engulfing him completely. He suffocates, unable to move, buried under the mass of flesh.
Then, everything becomes dark.
- - <O> - -
#little nightmares#little nightmare mono#little nightmares six#fanfic#nothing lasts forever#hope and betrayal#chapiter 1
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Chapiter 174 - The Path Believed In
Splash text reads something like: He beats everything of his on this sword, to walk even the pathless path
Aka me squinting at the sword and trying to remember if Syaoran took it with him when he left. I donât even think Iâm going to check - no. No wait I will. Ok.Â
PENDING PENDING PENDING.Â
Ok YES he does. And he specifically takes his own sword, and not Kuroganeâs, which I thought I remembered happening because of that weird bit with Mokona but no it was definitely Hien the whole time.Â
How I wish I had paid attention to the swords at any time before now.Â
Also if we were talking about Character-Identifying-Symbols-That-Are-Technically-Manufactured with Sakura, then surely Syaoranâs fire symbol on the sword is even more relevant, as an icon of who he is (or was) as a person, but the fire here on page is just a man-made imitation of fire - just like heâs a man-made imitation of a Syaoran.Â
And the pensive frown as he glances at the camera? Implying he has awareness and feelings about what heâs doing? Heartbreaking thanks. Just what I needed.Â
Oh actually just as I was about to post I noticed the circle symbol on the sword too, which seems to have a small notch in the inner centre. WHICH, like, the fact that itâs two circles, with one within the other? Like a smaller soul growing inside the shell of another? But the inner circle isnât complete, like something that is Almost Finished but has a tiny piece missing? Itâs ALMOST a full circle, but not quite there, just a tiny sliver away from being a complete circle in its own right. Even more heartbreaking! Thanks!!
#Where is my son!#Bring him back!#What is he doing!#Is he dressing warm!#Is he eating enough!#I need to know!#Tsubasa#Vol 174#Liveblogging the reservoir chronicle#Syaoran#Also if weâre looking for more False Imitation Imagery#The curtains behind him#Also have fake flowers on them#Another replica of something that is usually alive#But here is the man-made imitation of it instead
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I feel a little dumb. Since chapiter 1, everyone have been telling Phos not to be so reckless, to be careful and mindful of their action. I thought it was part of the problem. Turns out, the characters that were most prudent were right. Why is it so hard to predict anything in this manga
yeppp
#thats what makes it fun#give up the predicting part trust me and start analyzing gem society#Anonymous
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And he made the pillars, and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates: and so did he for the other chapiter.
1 Kings 7:18 (KJV)
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